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There’s a subplot that’s basically the parent trap, gabriel guimarães? half a star off for making me look at feet way too long at the end . Faat Kine' and Moolaade Introduction Ousmane Sembene's oeuvre, in many ways, grants African feminism a legitimacy of its own, denying recurrent attempts to fit it within valorized, largely Western, templates for liberation. black history month film challenge: day 1 -film by african directoreach time i watch a sembene film i fall more in love w his work! Not least if all—“You are the embryo of free market neo-colonialism.”. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Cinema Around the World: Senegal (Part 2). Reviewed in the United States on January 25, 2013. When I first learned that we would be watching a Senegalese film, I was happy with the prospect of learning something about another culture, but truly had no idea where in the world Senegal was. Need. The undermining theme of Faat Kine is the struggle to achieve women rights in Senegal and the effects of post colonialism… Reviewed in the United States on July 30, 2016. Seeing as Senegal used to be a colony, his films (that I've seen) deal with the aftermath of independence, the struggle for cultural identity, etc., although much more in MANDABI than FAAT KINE. Ousmane Sembene's comedy of social performance. I. This…, this list began because i was writing a piece for my university's feminist magazine on intersectional feminist films but i…. It’s a pretty strenuous watch without much to offer. I have to write a paper in french analyzing an aspect of this film. But I learnt an awful lot about his views on feminism through his characters and topics. As often the case in his work, he has such great satiric eye whose comic gaze remains criytical but in such na off-handed manner. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. I've never had such powerful urge to clap for a film, shout and clap, cheer for the simple brilliance and power that a film can posses. When Kine’s son Djib confronts his and his sister Aby’s fathers, he denies the power of the paternalistic Africa of old, and embraces the matriarchy that has produced him, the society of women that will help to develop the new Africa. Faat Kine; 2013 . Faat Kine (2000) [French/Wolof] —. Report this film. La noire de… (1966). perfect postcolonial film. In the interest of being forthcoming, I will admit that I have very little experience with African films, only having seen two of them prior to watching this one (thanks to a World Cinema course I took this semester). THEME: Traditions. It also analyzes reviews to verify trustworthiness. The setup for the story is that her two children have just passed the Baccalaureate, and meanwhile, people (including her children) keep trying to set her up with a man. So many excellent reads in this film I can’t!! The opposition between Muslims and Catholics is very important because it is the initial problem preventing Kine and Jean from marrying. Faat Kiné has noble intentions as a commentary on and criticism of post-colonial Senegalese society, particularly regarding attitudes to women and AIDS. I have to start with a confession. Once again, his blithe naturalism — … "Faat-Kine" is the welcome return of the master Senegalese filmmaker Ousmane Sembene, with his first film in nearly 20 years. thanks for this review, it was helpful. It fit with both the beauty and the polticial tones of the film. Hopefully I've read the film at least partially correctly. Mandabi (1968). FAAT KINE is by legendary Senegalese filmmaker Ousmane Sembene, who directed one of the other Senegalese films I saw, MANDABI. The dawn of the new century, the first 20 years. She also shows them how to be strong, intelligent young people who do not fall into the traps she fell into. The film provides a critical look at the post-colonial Senegal and women's place in it. Uploaded quickly and clearly for my college class. Select the department you want to search in. TMDb This is my favorite Senegalese film. [Guelwaar: An African Legend for the 21st Century. One of my fav movies! Sembene shows that African women are not wimps in the character of Kine'. However posers living on credit get their due. Great movie!! In the end it was her son that put his father in his rightful place about "how he didn't raise him and was trying to take that title away from his mother". Sembene's gift for gesture and movement, of capturing small bits of sensual existance remains sharp as well. Seeing as Senegal used to be a colony, his films (that I've seen) deal with the aftermath of independence, the struggle for cultural identity, etc., although much more in MANDABI than FAAT KINE. The Ultimate Film Canon: 21st Century (2001-2020), Scenes from the Class Struggle on Celluloid: A Watchlist, The Most Obscure Movie Recommendations List Ever. One of the most interesting characters and stories that I have seen in a while. Very funny and entertaining slice of African life. She went from being a waitress to a business lady in a third world country -- very hard to do with so much opposition from the male. A forty-year-old woman refuses to give into the stigma of unwed motherhood and climbs the ladder of success in a male dominated field. Granted, I wouldn’t say I have the best knowledge of geography, but I didn’t even know that the small country was in Africa, let alone one that had been colonized by the French and liberated fifty years ago. © Letterboxd Limited. In Faat Kine, Ousmane Sembene, the unquestioned father of African cinema, calls his fellow Africans to a reckoning of the post-independence era at the beginning of a new century. We started with Ousmane Sembène and I concluding my week with his film as well. This film centers around a woman, matriarch of a family who navigates middle-class comfortable life at Dakar at the turn of the 21st century. Ultimately, what Sembene is trying to say is that the Senegal/Africa of his youth is gone and the people who cling to the past are foolish and undeserving of respect. I lived in Senegal for 7 years. You are the embryo of free market neo-colonialism. African. I was not aware of anything about him beyond knowing he's a legend. But she really doesn't need one. (I swear I’m not sponsored, I just really like their service lol. Kind of a feelgood ending - success prevails - but it left me reflecting... Good theater as always - from one of the world's great directors. It’s also beautifully shot, with colors bursting in every scene. Venus Seye's Faat Kiné is a wonderful character that remains always in the center of things even when she seems deceptive pushed aside. Umgidi (Shadow Dancing) Si-Gueriki (“The Queen Mother”) Long Night’s Journey into Day: South Africa’s Search for … All of these facts are important to know when considering the film. Faat Kine, as John Mowitt states in “Retakes” is a reconfiguration of Sembene’s previous film Xala, but instead of using a male’s sexual impotency as a metaphor of financial impotency, Faat Kine uses a female’s polyandry and swinging tendencies as a sign of potency and novel change within contemporary Senegalese society. Film data from TMDb. What a great movie! Much like the trailblazers and martyrs Kiné seeks inspiration from, she seems destined to be pushed around - a "liberated" woman who finds herself…. Great character if na even stroonger performance. One of the prevailing themes in the film is the cultural differences of religion, age, and politics. One of the final scenes in the film demonstrates Kine’s influences on her children as a powerful female figure as well as the sentiments of the new generation. Faat Kine, a 2001 film directed by Ousmane Sembene, surrounds a single mother who strives for success for her children, meanwhile her children have their eyes set on finding a suitor for their mother. However, it approaches it like Sex and the City goes to Senegal, in a way that is terribly boring and soapy. In French with English subtitles] —. Director Ousmane Sembene drifted a little to the right in this late film - less sympathy for guys who don't improve their lot. Reviewed in the United States on June 4, 2013. A socially progressive Senegalese film with a strong, central female character, Reviewed in the United States on May 3, 2015. swinging back and forth between her crushing past and the promising future of her children, Sembene depicts a woman's journey through a tunnel that never seemed to show her a light. Another excellent film by the "Father of African cinema" Ousmane Sembene. Everyone is clearly an individual and the women of the film are ready to fight for their individuality - they are not going to stay oppressed by society's norms, they are strong builders of it, not stones that are passively there to keep the building together. In no way is this more evident than its central character, Faat Kine, who is a self-made, unwed mother who refuses to let a man control or take advantage of her. More details at This is…. There is also a Wolof version with English subtitles] an insight into senegal and a culture i have never had the opportunity to learn about, thanks to the united states being obsessed with only learning about its own history. It's a second home to me. This film has some rather saucy adult banter. Mobile site. It is a nation struggling with patriarchy, much as most are, but that there is hope and strength and freedom there, too. Aside from the messages and themes, I thought it was well-made on a technical level. One of Sembene's absolute best films. Cinematic World Tour 2016: Destination 106 (Senegal). There is not necessarily a clear plot line, but rather a gradual journey through…. [The Money Order. Travelling or based outside United States? Sembene cultivates the idea that once oppressed Senegal can't continue the way its colonialists did. If you go into it expecting Hollywood, you quite possibly will be disappointed, but if you go into it realizing that it's a film made in Africa 15 years ago, you can probably appreciate it more. Very real for today's society. Firstly, this film was so beautiful with regards to the colours. This movie goes o the lost of best insult ever. She is also very human - lots of baggage to get past. Reviewed in the United States on November 18, 2016. Venus Seye Mame Ndoumbé Diop Ndiagne Dia Mariama Balde Awa Sene Sarr Tabata Ndiaye, 120 mins   She is a working, independent lady who has been through two marriages and brought up two children who are entering university now. the humor was great and the story was compelling, would highly recommend. A great movie about African women, their beautiful, supportive relationships with each other, and their everyday acts of rebellion against the fuckery of misogynistic men. Such a nice touch with the canvases on the wall too (of Nelson Mandela, Thomas Sankara, Kwame Nkrumah and Amilcar Cabral). 2001 FAAT KINE is by legendary Senegalese filmmaker Ousmane Sembene, who directed one of the other Senegalese films I saw, MANDABI. I don't know how I had never heard of it. i wish all his films could be digitally remastered bc it rly is so beautiful!!! Now I can't say that every…. so mesmerizing in how it shows us Kiné's prideful success and happiness as she engages in pleasures previously only known by the men who made her life impossible, she never gives into their control. Kine, who was born in the year that Senegal gained independence from France, belongs to a sort of middle-generation which holds onto some colonial understandings of social oppression, but also has begun to embrace the international influences of neo-colonialism; Kine has somewhat loose morals which cause problems with her parents, but is unwilling to accept foreign money at her gas station, representing Senegal’s old mistrust for its European oppressors.

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