Gitzen, Julian. The Blue Vein River is broad and deep. I have a great respect for James Fenton, and I adore Love Poems. Just a moment while we sign you in to your Goodreads account. Ranging from the sixteenth century to the present day, The New Faber Book of Love Poems contains a fantastic mix of classics and popular favorites, as well as blues lyrics, American folk poetry, Elizabethan lyrics and Broadway s. James Fenton, a Whitbread-winning poet praised for his own love poetry, gathers together the best lyric poems originating in the English language. The Love Bomb, Penguin / Faber and Faber, London, 2003 A reviewer in the Economist observed of Fenton’s essays, “From the effect of William and Dorothy Wordsworth sniggering at Coleridge’s ‘Kubla Khan’ to Auden’s belief that Shakespeare’s sonnets must have been published against his will because they so excruciatingly echoed his own experience, Mr. Fenton pieces together the hidden anxieties behind the poetry.” Fenton continues to be an active member of England’s literary establishment, editing the New Faber Book of Love Poems (2006). I got this book as a gift in 2010 from a blogger friend who I was meeting for the first time and who knew of my passion for poems. September 1996) -- The publishing house Farrar Straus Giroux celebrated The Memory of War received nearly universal acclaim and launched Fenton’s career as one of the rising young poets of his day. He has worked as political journalist, drama critic, book reviewer, war correspondent, foreign correspondent and columnist. He has worked as political journalist, drama critic, book reviewer, war correspondent, foreign correspondent and columnist. Fenton, an admirer of the great English poet W.H. Read and a full range of poetic styles from the aristocratic to the popular. However, this particular collection did not manage to strike a chord with me. The poem, which is about the catastrophic meeting of American and Japanese forces in the mid-nineteenth century, displays many of the themes and techniques that would preoccupy Fenton for the rest of his career. New Statesman (20 The Memory of War: Poems 1968–1982, Salamander Press, Edinburgh, 1982 Fenton has consistently drawn on historical and political realities culled from his years as a journalist, a career he pursued after leaving Oxford. Fenton's special Poetry Archive webpage and listen to recordings information or to order. James Fenton is a poet for whom ivory towers have long ceased to exist. James Fenton. For example, A German Requiem (1981) touches upon that country’s disastrous, World War II-inducing experiment with National Socialism in the 1930s. of William Hazlitt: The First Modern Man, by Duncan Wu; Out of Danger, Penguin, London, 1994 Start by marking “The New Faber Book of Love Poems” as Want to Read: Error rating book. The Guardian (10 September 2005) [Biography Auden, combines a powerful narrative tone with great poetic sophistication. It is through advertising that we are able to contribute to charity. Its “eerie final section creates an unforgettable, muted image for the huge suffering and suggests the way Fenton’s own reticent imagination has found its most impressive expression,” noted the Contemporary Poets essay. Please continue to help us support the fight against dementia. Goodreads helps you keep track of books you want to read. New Statesman reviewer Peter Forbes found in it evidence of “a radical change of style,” with many of the poems far more abstract in composition, a contrast to Fenton’s previous reliance on narrative structure. in the English language from the Renaissance to the present day. the Songs of Love', The Guardian, 15 December 2007 [Fenton The poem, which is about the catastrophic meeting of American and Japanese forces in the mid-nineteenth century, displays many of the themes and techniques that would preoccupy Fenton for the rest of his career. Terminal Moraine, Secker and Warburg, London, 1972 Poetry Archive-- James Fenton is one of the numerous poets featured on this fantastic website. A poet, essayist, journalist, art critic, and theater reviewer, James Fenton is widely considered one of the most talented and versatile British writers of his generation. 'The Manifesto against Manifestoes.' York's Town Hall. He is also the author of Leonardo’s Nephew: Essays on Art and Artist (1998), a book on gardening, A Garden from a Hundred Packs of Seed (2002), and a history of the Royal Academy of Arts, School of Genius (2006). Penguin, 2006 / 224 pages the whole range of his work from light-verse to political and love Let us know what’s wrong with this preview of, Published The new edition celebrates love poetry originating on Love.' Others remain true to commemorating historical moments, such as the rise of Iran’s Ayatollah Khomeini in 1980, or the crackdown on student dissidents that occurred in Beijing’s Tiananmen Square in 1989. "A His Selected Poems (2006) was heralded as a chance for American audiences to become better acquainted with “the major British poet of his generation.” Using that handle somewhat ironically, Stephan Metcalf in the New York Times declared that Fenton had escaped the burden of his early promise and become “an extraordinary poet with something original to disclose.” Though noting that “youngish British poets often avoid burdening themselves with Deep Ideas, especially about poetry,” Metcalf praised Fenton’s libretto The Love Bomb, included in Selected Poems, for attempting to grapple with “the proximity of prophecy to violence.” The libretto allows Fenton to write “in an uncharacteristically Blakean mode,” Metcalf noted. search. He is a Fellow of the Royal Society of Literature and was Oxford Professor of Poetry for the period 1994-99.
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