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2 on the UK Albums Chart, remaining in the chart for 58 weeks. [23] New Musical Express said: "Slade Alive! “I wanted to stay the drummer. (CD, Album) at Discogs", "Slade - Slade Alive! This drawing was the winning entry in a competition run in The Sun newspaper to design the album cover. Dave spoke a lot more – and it was all interesting stuff. He confirmed that Slade had been offered an appearance at Live Aid. Set alight by plenty of stomping beats, lumbering bass, fat guitars, and Noddy Holder's hoarse vocal scream, Slade Alive! In 1978, the album was given a German release as a double-pack LP with a gatefold sleeve, paired with the Slade Alive, Vol. If you've ever been to one of their noisy gigs, you'll know exactly what I mean. [19] "Get Down With It" is a cover of the 1965 Bobby Marchan song. [6], Slade Alive! was released in March 1972. [2], Today, the album has been considered as one of the greatest live albums of all time. They declined performing as the "dynamic" within the band had changed – and that Nod had decided the year before not to Aside from being Slade's breakthrough hit, it was regularly featured as part of the band's live set for the band's entire live career. We were writing ‘A Trick of the Tail’ and I would teach them some old songs – ‘Firth of Fifth’ or whatever – and I ended up sounding better than anyone else. - Slade | Songs, Reviews, Credits", Christgau's Record Guide: Rock Albums of the Seventies, "Results - RPM - Library and Archives Canada", "SLADE | full Official Chart History | Official Charts Company", Thanks for the Memory (Wham Bam Thank You Mam), Rock and Roll Preacher (Hallelujah I'm on Fire), https://en.wikipedia.org/w/index.php?title=Slade_Alive!&oldid=983688943, Short description is different from Wikidata, Album articles lacking alt text for covers, Articles with unsourced statements from May 2020, Creative Commons Attribution-ShareAlike License, 19–21 October 1971, Command Studios, 201 Piccadilly, London W1, "Slade Alive! The release was limited to 500 copies. Travelled to the Birmingham Alexandra Theatre show last night with old mate, Fran Skellington. "[24][25] The album would later be rated No. 2. Steve bevis - and his jacket - with wife Jackie, Dave's kimono for the Japanese Tour - 1974. In its original LP vinyl format, the album was issued in a gatefold sleeve which revealed a huge cartoon drawing on the inside. All the Slade guys usually get together before Xmas for a party organised by Keith Altham for all his old clients (The Shadows, Status Quo and numerous others go). The album was produced by Chas Chandler. In 2011, the vinyl acetate containing the studio version appeared as a bonus track on the 2011 Salvo remaster of Sladest. Collins and Paul Martinez both played drums on the night, alongside bassist Tony Thompson and the band’s surviving members – Robert Plant, Jimmy Page, and John Paul Jones. [4][5], Having made their UK breakthrough with the successful singles "Get Down and Get With It", "Coz I Luv You" and "Look Wot You Dun", Slade decided that the best way to break into the album charts would be to capture their live sound on record. He seemed to have trimmed up and was in good spirits, friendly and really pleased to see everyone. In Israel and Italy, the front cover used the inner gatefold artwork instead, whilst certain editions releases in the Netherlands and France also used this design. Dave said how he was impressed in visiting the temples in Japan. "[24][25], Gregor Vaule of Colorado Springs Gazette-Telegraph felt the album "crammed" much of the band's "famous in-person excitement", adding: "The LP thunders in on Alvin Lee's "Hear Me Calling" and from that point on there is never a dull moment. as a homage to Slade Alive!. [1] It was Slade's first album to enter the UK charts and also the first to enter the Billboard 200 in the United States, where it reached No. “I sort of… [mimes the ‘Stairway to Heaven’ drum part], and Page says: ‘No, it doesn’t! I arrived and went to the caravans, and Robert said: ‘Jimmy Page is belligerent.’, After being quizzed by Page on how to play ‘Stairway to Heaven’, Collins explains that the legendary guitarist wasn’t impressed. For over 20 years, Slaid Cleaves, out of Austin, TX, has spun stories with a novelist's eye and a poet's heart. ‘Do we want this person in our family? Speaking to Classic Rock Magazine, Collins recalled a litany of problems from the offset – notably a lack of rehearsal, equipment problems, and Plant losing his voice. Slade Alive! "Born to be Wild", a cover of the 1968 song by Steppenwolf, was originally recorded in the studio by Slade for their 1969 debut Beginnings. 2 in the magazine's Top 10 albums of 1972. He then proceeded to remix the tapes himself, but the band then rejected that mix and went back to their own original mix. What a great host Noddy Holder was for the Marc Bolan Memorial Concert at the Shepherd's Bush Empire on 15th September 2012. 158. [3] Kiss, who were heavily influenced by Slade, would title their 1975 live album Alive! But after we recorded it for Slade Alive!, we didn't think that we could do it any more justice by doing it in the studio - as it's basically a live number. And if I could have walked off, I would have done, ’cause I wasn’t needed and I felt like a spare part.”. is the first live album by the British rock band Slade. 2. I must say that Dave looked really well. However, the band couldn't better the song in the studio and the idea was dropped. On the UK Granada Television, the band performed a 'Set of Six' show on 13 June 1972. "Hear Me Calling", a cover of the 1969 song by Ten Years After, was originally planned as Slade's follow-up single to their 1971 breakthrough hit "Get Down and Get With It". [citation needed]. It was Slade's first album to enter the UK charts and also the first to enter the Billboard 200 in the United States, where it reached No. They concluded: "It's just fun and beers all the way." "[29] Rich Aregood of the Philadelphia Daily News described the album as "eminently enjoyable", noting: "...Slade is something else again. Will he fit in with the way we do things?’ Anyway, we didn’t find anybody and ended up with me.”. Always popular, the song's lyrics demanded audience participation and it was hoped that the feeling of a live gig would be projected into the studio recording. [14], As a major part of promotion for the album, the band did a UK tour during April and May. He however insisted on carrying them round during the visit – as there were many fans present and was certain they would get knicked! It was recorded live at Command Theatre Studio and mixed at Olympic Studios. In 2010, Classic Rock considered the album "superior: reputation cementing". [18] "Know Who You Are" is an original song which originally appeared on the band's 1970 album Play It Loud. Holder also stated that from then on, he had to continue to do the burp whenever the song was performed otherwise the audience would be disappointed. Just back from seeing the opening night of the Slade / Sweet Tour. [12][13] In 2017, BMG released a deluxe edition to celebrate its 45th anniversary. "[30], In 1991, Q described the album as "distinctly heavy" with a "laddish rock style". The world's defining voice in music and pop culture since 1952. Phil Collins also spoke about how he “didn’t want the job” of taking over as Genesis frontman, stating he would have preferred to remain behind the drum kit.

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